[DWJ] long, long delayed discussion of teaching Hexwood

Debbie Gascoyne dgascoyne at gmail.com
Sat Jul 9 13:13:11 EDT 2016

(delurks) Hello, everyone!
Coincidentally, I'm currently working on a PhD dissertation on DWJ, and the
chapter I'm working on right now is about Hexwood.  I'm following this
discussion with great interest!  It amazes me that after reading it now
about 6 times in the last month alone I still keep finding new things!

I wonder if any of you have any clues about the source of the reference to
Merlin losing an eye?  Hume has an eye infection when he's a child with
Mordion, and at the end of the book, when it's revealed that he's Merlin,
Martin/Fitella says something like "the last time I saw you you only had
one eye" - I've been scouring resources about Merlin, and can't find
anything.  I know that a lot of the intertextual references are
(deliberately) imprecise, but, you know, I have that scholarly itch to try
and get a handle on this one.



On Tue, Jul 5, 2016 at 3:10 PM, Stallcup, Jackie E <jackie.stallcup at csun.edu
> wrote:

> My goodness DWJ-ers,
> First, the list has been very quiet.  I switched over to my school email
> account because my juno account got hacked and is no more (sigh).  Then I
> didn't get anything at all for a long time so I thought I hadn't made the
> switch properly.  But then I did get a little spate of emails that trailed
> off again.  Where are you all???
> Anyway, second, I am also now in a new position.  The last time I posted
> anything, I was English department chair, DROWNING in email and work.  I
> honestly don't know how I managed to survive.  Now, I'm "special assistant"
> to the Dean of Humanities, which means interim associate dean. While one
> might think that that is a harder job than being chair, it isn't, by a long
> shot.  I actually have my life back, sort of.  One result is getting to go
> back to the very bottom of my email pile and finally FINISHING things.
> One of the things at the bottom of the email pile follows.  I believe that
> I started writing it in August 2013.  How time goes by...  I was delayed
> from sending it by wanting to incorporate some notes from a couple of
> students regarding their notes from the discussion.  I now finally have
> time to do that, on another hot afternoon, albeit one that is in July 2016
> rather than August 2013.
> Enjoy!
> Jackie
> Hi everyone,
> I have been so overwhelmed that I haven't had a chance to fill you in on
> how our class discussion of Hexwood went last year.  Martha has now prodded
> me twice (thanks Martha--much needed!) I am going to take a few minutes on
> this hot Friday afternoon to write up some notes about it.
> To start with, as long time dwj listers may recall, I have tried teaching
> several of Jones' novels with mixed results.  Dark Lord of Derkholm in
> particular required a lot of refining of my lesson plans to teach
> effectively, but I learned some really interesting things in the course of
> doing so.  (did I tell you guys about that already?  I don't know... I know
> that I talked about the disaster that was the first time I taught it...
> but perhaps not the later experiences).
> Last fall, I got to teach a graduate class called Childhood and the
> Fantastic.   I can't remember why I decided to do Hexwood this time instead
> of Dark Lord (now that I had finally figured out how to do Dark Lord!), and
> as Martha said when she heard:  "WHAT WERE YOU THINKING???"  Yes indeed!  I
> think it was because I knocked the Hobbit off the reading list, which
> paired up so well with Dark Lord.  In its place I put The Hunger Games and
> that just seemed to go nicely with Hexwood, if I remember correctly.  I've
> attached my syllabus in case you are interested in looking at it.  As you
> can see, the last three weeks of the class were Hunger Games, Ender's Game
> and Hexwood, thought of as sort of linked in various ways.
> One thing that I did to set up the discussion was prepare them for Hexwood
> to be a tricky read.  Both Hunger Games and Ender's Game are far more
> straightforward and conventional (as I'm sure you all know!)  They are both
> compelling reads that make you forget that you are reading.  So I had to
> make sure that they knew that Hexwood was going to be a little bit
> different experience.  So, two weeks out, I told them to be sure to leave
> time to read it twice--that that was an absolute MUST.  Then the week
> before our discussion I told them that they HAD to come to class prepared
> to discuss Hexwood cheerfully (even if they were puzzled).  No complaining,
> no whining!  And I gave them the carrot of not having to meet during finals
> week if we had a great, in-depth discussion of Hexwood.  I think this
> intrigued them and it also warned them not to enter the reading with slack
> minds.
> One of the interesting things that always happens in a class is that
> discussions tend to gravitate toward certain themes and ideas.  Students
> seem to pull out particular themes, so that while I might teach mostly the
> same texts, the conversations and the "through-lines" for the course are
> always different.  Around week 12, I had the students get into small groups
> and identify the main ideas that they saw cropping up throughout the
> course.  Then they got onto wordle.net and made word clouds that showed
> what ideas were most prevalent.  We talked about these in class and then I
> used these to structure the last few weeks of the course.
> With all of that in mind, I thought you might find it useful to see how I
> introduced the discussion of Hexwood on the last day of the semester
> (attached).
> From that intro, I (as usual) turned it over to the students to come up
> with the main elements in the text that we would talk about for the day.
> Much to my relief, they had plenty of things to talk about and were
> cheerful and eager to put stuff on the board.  From there, I put them into
> small groups to talk over the issues they had identified and off we went.
> Now, here's one of the reasons I've taken so long to write this up for you
> all. Of course now you probably want to know WHAT we talked about, right?
> Agh! I don't know!  I don't take notes in class so once the discussion is
> done, it's gone.  I can tell you a few things that I remember:
> Among the things that I was very interested in examining is how Jones
> disrupts our narrative expectations with her characters.  My favorite
> example of this is Orm.  I find it incredibly, horrifyingly creepy the way
> that his eyes twinkle.  For most writers, that's simply a narrative
> shortcut that says "hey, this is a good guy." (Dumbledore's usual
> descriptions are a good example of this kind of... well, I don't want to
> just call it narrative laziness, but perhaps narrative conventionality).
>  I wanted them to think about how Jones develops our sense of who
> characters are and what they are capable of in unconventional ways.
> Given that violence loomed so large in many of the texts that we read, we
> discussed how it functioned here in ways similar to and different from the
> other texts that we had looked at (particularly Ender's Game and The Hunger
> Games)
> And here are some notes from students that, while unformed, give you a
> sense of what we talked about:
> Student one:
> Conformity/freedom
> Control/power authority
> Morphing identities
> Agency/free will
> Possibility/potential
> Performative nature of existence
> Bannus as a fiction maker
> Own your past/pain and use it
> Our experiences pile up/create a schema
> Looking back at a path to look forward; many things impinge upon us and we
> have to look back to understand
> Destiny vs performativity
> Student two:
> Novel questions reality
> Dismantles the assumptions of fantasy; dismantles the conceptions of
> narrative.
> Images of disease
> Clothing acts in the same way that names do:  creating new/different
> characters, creating confusion and disrupting the narrative
> Ending is not neat and tidy; it assumes a harmony, but does not give
> satisfying closure
> Most students in small group who didn't like the book had problems with
> the ending, not the plot twists
> Student three:
> Anti-essentialist depiction of existence and the performative nature of
> the self
> Post-modern, nonlinear narrative structure, with considerable temporal
> shifting and alternate realities depending on dominant point of view
> Expanded boundary of self-consciousness
> Bannus attempts to tie up loose ends but the forest itself rebels, wanting
> to create its own new mythology in order to continue playacting
> ****************************
> Oh and here's the email that I sent off to the students prior to our
> discussion:
> Hi everyone,
> Two things:
> First, this is just to confirm what we discussed last night:  Since we are
> all caught up with the reading and we have already started the "wrapping
> up" discussion, we can go ahead and NOT meet on December 17 on TWO
> conditions:
> 1.  you come to class on December 10 prepared to discuss Hexwood
> cheerfully (even if with puzzlement).
> 2.  you come to class on December 10 prepared to branch out from Hexwood
> so that our discussion touches upon other reading from the semester and
> comes to some kind of graceful conclusion.  Come to think of it, that's a
> very appropriate way to use Hexwood.  We'll just pretend that we have a
> Bannus whose theta-field has grown to encompass all of the semester.
> If we have a good, rousing fun discussion on the 10th, we'll call it a
> semester.
> Second, Professor Wightman just sent me this link, which is an Amazon
> review of a book written by an old college classmate of hers.  The review
> is ... well, apropos of this course.  I thought you should see it.  First,
> here's a link to the book itself:
> http://www.amazon.com/Unbored-Essential-Field-Guide-Serious/dp/1608196410/ref=cm_cr_pr_product_top
> And here is a link to the review:  Enjoy!
> http://www.amazon.com/Unbored-Essential-Field-Guide-Serious/product-reviews/1608196410/ref=cm_cr_pr_hist_1?ie=UTF8&filterBy=addOneStar&showViewpoints=0
> Dr. S
> P.S.  Goodness, I'm going to miss our class after next week!
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