[DWJ] Hello again, and beards

Martha Hixon marthahixon at gmail.com
Mon Sep 8 13:25:27 EDT 2014


oh, that's interesting, given that her public statement on the film was
that she "quite liked it." (There is a short video readily available on
Youtube in which she's being interviewed about it).

Miyazaki, in a 2005 interview with *Newsweek *reporter Devin Gordon, said
that HMC was "profoundly affected by the war in Iraq" which the US had just
begun; he was quite angry about it, apparently. So, whereas WWII
undoubtedly did affect him in a more indirect sense, as it did Jones,
current affairs at the time were a more direct influence on that film. Too
much so, IMO, no matter what one thinks about that situation.

thanks, Nic.


Dr. Martha P. Hixon
Department of English
Middle Tennessee State University
Murfreesboro, TN 37132
615-898-2599 / martha.hixon at mtsu.edu

On Mon, Sep 8, 2014 at 11:30 AM, Nic W <eawil3 at email.wm.edu> wrote:

> When I was lucky enough to visit DWJ in 2007, she asked me what I'd thought
> of the movie, since Howl's Moving Castle is my favorite book in the world
> ever.  I was hesitant to criticize, but told her that I'd hoped it would be
> a closer adaptation.  (I'd have been happy to see a movie as faithful as
> the BBC Pride and Prejudice miniseries.  Six hours of HMC incorporating
> practically every line of dialog from the book?  YES PLEASE.)  She laughed
> and said that she'd enjoyed some adaptations of her work, but though she
> liked Miyazaki, she felt kind of as if she'd "sold Howl and Sophie into
> slavery" with the rights for the movie.
> She did say something else about it that fascinated me:  Both she and
> Miyazaki had felt the impact of World War II, but obviously not the same
> way.  She said she thinks that the differences in their experiences are why
> she put the big war between two books - after Howl's Moving Castle but
> before Castle in the Air - and dealt with it indirectly, while Miyazaki
> made it more immediate, moving it into the middle of HMC.
> - Nic

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