Bed-time musings on character in DWJ (F&H)
ncase at hedbergmaps.com
Thu Nov 16 11:17:47 EST 2000
>I'm still not sure I agree with people wanting to be taken as a part
>of their being taken (to leave aside the whole question of whether a
>moral weakness could be inherited!).
People don't know, or don't want to know, what they're getting into.
Tom Lynn I suspect was all too willing to be "taken by the beautiful
and glamorous Laurel.
Thomas Rhymer and Tam Lin are two sides of the same coin: in THomas
the Rhymer, we see the seduction, and in Tam Lin we see the desparate
desire to get away.
In the span of Fire and Hemlock, we don't see the seduction itself,
although we see the next victim in Leslie.
I don't see Tam Lin in the ballad as completely amoral. He certainly
has a lot of what faeries like, but he does admit to being baptized
(which doesn't mean as much now, but 500 years ago that was an
accepted indicator of being within the pale of moral society), and
makes hard, clear promises (to be the baby's father,to stick with
Janet when he's free, etc.).
All the versions and reinterpretations of "Tam Lin" I've ever read
end just after the freeing from Faerie, but I really want to see a
sequel, maybe when the kid is old enough to be taken... What do the
parents do to keep the kid away, and do they succeed?
The more I think about it, the analogy to addiction is apt. People
don't get trapped by alcohol, methamphetamines, or Laurel because
they want to be trapped. They do it because they are promised
something they greatly want. And while they are getting hooked, that
promise is delivered. Then the horror of their entrapment takes hold,
and it is very very hard to get out.
And once you're out, you still have the traces on you. You're never
totally free until you die.
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